I was going to leave this thread as I felt that the discussion would not get farther and I felt like I’ve pretty much made my point. But you make a consistent argument, and you most of all are civil about it which I really appreciate.
I agree there was some misunderstanding, but I think most of all it comes down to difference in opinion of what constitutes historical fiction, and a differing opinion on the chronicling habits of medieval contemporaries.
Regarding the chroniclers, I wrote in my first and second post in the thread about why many contemporary chroniclers would probably tone down the role of women. There will be some repetition of what I have said earlier. I am sorry about that, and I hope you will read earlier posts for an expanded discussion about these ideas.
Sylvia Frederico says:
“Medieval women were seen by contemporaneous chroniclers and later historians as housewives and mothers and not deemed political. If their role in the conflict had been more widely recognised, the revolt might have seemed more trivial[…]”
This particular quote is about a rebellion, true, but this would apply equally to other conflicts, be they physical or philosophical, id est in war or in religious conflict. What we have to remember is that in the medieval times, the absolute majority of those who were articulate enough to record their ideas for later generations were nobility and clergy. The clergy were most often celibate. The nobility was a very narrow caste of society that could afford to treat women as mere assets to serve their land. Thus, it is safe to say that most of what is now accepted in the public sphere as the medieval role of women comes from the classes least familiar with womankind as a whole.
Later historians also being widely chauvinistic, as I also explained why in greater length earlier, has not helped with reporting and especially spreading the stories of those still not few records we have. To a large extent, the purpose of their research was to build up a national identity for the then new idea of that people within a country was part of a community consisting of more things in common than paying taxes and sending soldiers to the same king. This constituted educating the people into what they thought of as good citizens, and this in turn led to them searching for and interpreting material in a way that fit with this goal and this goal included, what was to them, the natural order of gender roles, reinforcing the ideas of the historical minority of the articulate upper class. Even then there were of course exceptions, and there are works from 18th, 19th and early 20th century which criticise this, but they, as you probably know, never reached the masses.
Heh, seems I got a bit carried away on the politics of cultural heritage. Sorry! I recommend Hobsbawm’s, Harrison’s and Anderson’s books on the subject if anyone’s more interested. Still, it is important to recognise these above things when speaking about gender through history.
But to continue, the Amazon example was not meant as historical proof of actual Amazons in 12th century Czech, it was to show that strong women were part of Bohemian folklore, something you also support, and as such it was not an unthinkable idea to all people at the time. Klassen goes on to showcase several women who both discreetly and openly challenged the patriarchal order in 15th century Bohemia, and some men who recognised their strife.
This leads me to what is probably the core of our disagreement.
“This game is supposed to be a historical fiction, which doesn’t equal a fantasy or a fairytale.” Our ideas of historical fiction obviously clash. My idea of historical fiction is a fiction well-grounded in actual historical research, but it is still a “what if” scenario. Historical fiction is not a historical lecture, and Warhorse themselves has been quoted with saying as much. That they responded earlier in this thread and said that a female protagonist is a possibility and that the story could be similar shows that they probably share the idea.
If KCD was an attempt to make a game about an actual series of event happening to an actual character that we had documentation about, I wouldn’t argue. But as you said, “It’s going to sum up a fictional variant of quite possible real-life experiences of probably several real-life men into the story of one single man. This much can be taken for granted.” Through this thread, I have shown several examples of women whose stories could well make for a very exciting combined fiction, and there are even more to choose from in and outside of the period. This, combined with the religious tension between Hussite reformation ideas and the Catholic church in the setting, local folklore of maidens of war and the sources we have from that very area in Europe of women involved in movements or personal battles to better their lot in life strengthens the credibility of the story.
Am I saying it happened? Did a woman live a life of adventure in 15th century Bohemia and get involved in a kingdom-wide conspiracy? Probably not. But neither was king Wenceslaus rescued from his captor; he was released. So could it have happened? Yes, and I base that on all the above and more. That is what differentiates historical fiction from fantasy in my view. King Arthur getting a sword from a lady in a lake is fairytale. Frodo and the gang destroying the One Ring is fantasy. A story where King Godwin did not get an arrow in the eye and won the war against William the Bastard in 1066, that would be historical fiction. A story based on the facts presented before about women in the medieval age and politics and culture in Europe and specifically Bohemia? That would be historical fiction in my world, as both the setting and the character has support in history, even if those particular events didn’t unfold in exactly that way in real reality. That there are no chronicles about the particular event in the specific area the game is taking place does not make in unrealistic, it just makes it fiction.